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When Apple pulled the plug on Aperture, it gave Phase One the ability to strengthen the tool without worrying about challenges from two competitors. You’re not able, for example, to organize your file structure while you’re in the middle of adjusting an image’s saturation. Many of those I knew at the time felt that Capture One Pro provided a slightly superior conversion, but again, with a smaller feature set.Īll three programs were unique in that they were nondestructive, something that seems commonplace now but was pretty revolutionary to photographers accustomed to adjusting files in Photoshop and then wishing they could go back a few iterations to undo a change.Ĭapture One Pro and Aperture both crammed a huge array of features into a user interface that at times could be daunting, while Adobe took great pains to make Lightroom visually clean, with lots of empty space to frame the workflow.Īdobe decided to make Lightroom a modal program, which means that users need to switch between modes like “Library” and “Develop” in order to complete related tasks. For a number of years, I ran a group that taught Aperture, and it always felt like the two companies were cribbing from each other.Īpple took great pride in its raw conversion process, analyzing each new camera model’s sensor in order to give Aperture RAW compatibility.
#CAPTURE ONE PRO 10 FOR SONY MAC#
Not only did Aperture do what Capture One Pro could do, but it also could do a good deal more at the time, and it did it with an interface that was more familiar to Mac users. Company representatives boasted about its raw processing capabilities, and while it was appealing, it arrived right as Apple launched its ill-fated workflow tool, Aperture. I first saw Capture One Pro around 2004 (although it might still have been called LightPhase Capture at the time) as part of a demonstration of the company’s then-current crop of cameras. The result is a comprehensive suite of tools that are designed to save time while maximizing image quality. The newest version, Capture One Pro 10, adds a number of new tools and features to a program that’s spent the better part of a decade slowly maturing.
#CAPTURE ONE PRO 10 FOR SONY PROFESSIONAL#
Capture One Pro, developed by medium-format camera manufacturer Phase One, has lived for years in the shadows of Adobe’s 800-pound gorilla, attracting customers through word of mouth and through the passionate evangelism of its users.Ĭapture One Pro was built around a raw processing engine that Phase One evolved for its high-end camera systems, with a framework of tools and customizations that-while baffling to many Lightroom converts-provides a professional workflow much more customizable and much deeper than Adobe’s. For most photographers, the photographic workflow begins and ends with Lightroom.